
The architecture
of this room is exquisite. The room echoes of Robert Adam, with its classical
balance and exact symmetry. The room is rectilinear, with matching entry
and exit doors, each with arched glass transoms. The sides of the room
include three archways supported by columns on either end, with arched
ceilings behind that leading into the formal library and the dining room.
There are pilasters and raised paneled wainscoting and crown dentil moulding
and beams. So this is a knock room even in its somewhat dilapidated state.

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The
worn stairway and floors detracted from the room, and an old metal
elevator was an eyesore. Part of the challenge was that the elevator
couldn't be disassembled. We watched Ms. Hawthorn's ideas unfold:
The geometric pattern on the original floor was incorporated into
the stairway and even the second floor landing for a continuous, harmonious
design. This was an enormous space to fill, change and beautify. |
Then
we watched the remarkable mixture of modern ideas blend into a classical
older home. Then came the butterflies! Ms. Hawtorn turned the elevator
into a butterfly garden!
The
visual effect of the white matte finish paint (accentuated by a
pearlized hand painted treatment) on the archways is at once stark
and artful. The smaller chandeliers placed on both sides under the
arched ceiling are a combination of crystal and gold forged metal,
and are classic. They work famously with the center-hall chandelier
that is utterly modern in juxtaposition with the traditional elements.
The artwork and simple furniture blend well with the architecture
of the house and make this room a GRAND ENTRANCE! |

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